Читать книгу Magic Shadows. The Story of the Origin of Motion Pictures онлайн

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At an early date the conflict arose between those who wished to use the magic shadows to entertain and instruct and those who wished to use them for purposes of deception.

The Egyptian priests have first claim on the title of light and shadow showmen. Some of the fragments of hieroglyphics indicate that they used optical devices to deceive. It is likely that a simple mirror was used to throw images into space. But that would have amazed the people and would have been taken as a sure sign of miraculous power.

The oldest media of light and shadow entertainment and deception was developed by another great and scholarly group, the early Chinese scientists. These were the Chinese Shadow Plays, the origin of which is lost in antiquity, dating back perhaps to 5000 B.C. Silhouette figures shown on a background of smoke and animated as in a puppet show entertained a public thousands of years ago in the Far East. The Chinese Shadow Plays appear to have a close relation to the old-time fireside tricks of twisting the fingers so as to form what appeared to be the shadow of a donkey’s head or a representation of a rabbit or of some other animal. Despite the troubled history of China, these Shadow Plays were never lost and they are still presented in remote parts of China and in Java.

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