Читать книгу Magic Shadows. The Story of the Origin of Motion Pictures онлайн

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Kepler started to use a telescope about 1609 and through its use he was able to develop improved ideas for the room camera by the time he published his Dioptrice, “Concerning Lenses,” a foundation of modern optics, in 1611. In that work the basis was first established for what was later to be long-range or “telescope” photography which makes possible many important effects in the modern motion picture.

The telescope, the most highly developed lens system and the reverse of a projection arrangement, was invented in Holland in the early part of the 17th century. Galileo, who with Kepler did much to popularize the telescope, admitted that he had seen one made by a Dutchman before he fashioned his own.

The name “telescope” was coined by Damiscian of the Italian scientific “Academy of the Lynxes,” to which Porta also had belonged. The invention of the telescope is commonly credited to “the spectacle maker of Middleburgh,” usually identified as Hans Lippershey. The compound microscope, effects of which had been indicated by Roger Bacon, evidently also was invented a few years prior to the telescope—by Zachary Janssen, in Holland. But it was first described in Italy. Early telescopes generally followed the model developed by Galileo, while by the middle of the 17th century the superiority of Kepler’s method was recognized and larger and more powerful telescopes were possible. In recent times the telescope has reverted to a mirror—or Burning Glass—reflecting system instead of the standard style refracting telescope.