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His death chamber was disturbed by what seemed to me an outrageous invasion of vulgarity. In life King Edward had resented the click of the camera wherever he walked, but in death the cameramen had their will of him. A dozen or more of them surrounded his bed, snapping him at all angles, arranging the curtains for new effects of lights, fixing their lenses close to his dead face. There was something ghoulish in this photographic orgy about his deathbed.

The body of King Edward was removed to Westminster Hall, whose timbered roof has weathered seven centuries of English history, and there he lay in state, with four guardsmen, motionless, with reversed arms and heads bent, day and night, for nearly a week. That week was a revelation of the strange depths of emotion stirred among the people by his personality and passing. They were permitted to see him for the last time, and, without exaggeration, millions of people must have fallen into line for this glimpse of the dead King, to pay their last homage. From early morning until late night, unceasingly, there were queues of men and women of all ranks and classes, stretching away from Westminster Hall across the bridges, moving slowly forward. There was no preference for rank. Peers of the realm and ladies of quality fell into line with laboring men and women, slum folk, city folk, sporting touts, actors, women of Suburbia, ragamuffin boys, coster girls, and all manner of men who make up English life. History does not record any such demonstration of popular homage, except one other, afterward, when the English people passed in hundreds of thousands before the grave of the Unknown Soldier in Westminster Abbey.