Читать книгу The Tale of Genji онлайн

41 страница из 77

‘In the Painters’ Workshop too there are many excellent artists chosen for their proficiency in ink-drawing; and indeed they are all so clever it is hard to set one above the other. But all of them are at work on subjects intended to impress and surprise. One paints the Mountain of Hōrai; another a raging sea-monster riding a storm; another, ferocious animals from the Land beyond the sea, or faces of imaginary demons. Letting their fancy run wildly riot they have no thought of beauty, but only of how best they may astonish the beholder’s eye. And though nothing in their pictures is real, all is probable. But ordinary hills and rivers, just as they are, houses such as you may see anywhere, with all their real beauty and harmony of form—quietly to draw such scenes as this, or to show what lies behind some intimate hedge that is folded away far from the world, and thick trees upon some unheroic hill, and all this with befitting care for composition, proportion, and the like,—such works demand the highest master’s utmost skill and must needs draw the common craftsman into a thousand blunders. So too in handwriting, we see some who aimlessly prolong their cursive strokes this way or that, and hope their flourishes will be mistaken for genius. But true penmanship preserves in every letter its balance and form, and though at first some letters may seem but half-formed, yet when we compare them with the copy-books we find that there is nothing at all amiss.