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Not so insular at that, for it developed that in his veins ran a strain, a very thin strain, of the blood of Egypt.

ssss1 There followed the love story, obvious if you like, but with the everlasting thrill and appeal of a great passion, magnificently portrayed. For as the drama moved to its climax, the spirit of the slave which through the ages had visited its will upon the family of its master, found itself captive. The French woman fell madly in love with her victim and in the end gave her life that the curse might be lifted and his saved.

In the climactic love scene at the end of ActIII when passion tore from her lips, an onrushing tide, the beautiful voice ran a crescendo of emotion that was almost song. Its strange accent stirred and fascinated. Its abandon was that of a soul giving all, sweeping aside like an avalanche law, thought, ultimate penalty.

And still at the curtain, when the house rang with demands for her, Parsinova did not appear. Oswald Kane made his accustomed speech, coming before the purple velvet curtain to tell his audience in his usual reticent manner how deeply he appreciated their reception of the genius he had discovered. He thanked them—he thanked them—he thanked them. He raised a graceful hand, pushed back his weight of hair and slipped into the wings while the house resounded once more with clapping hands and stamping feet, and a full fifteen minutes elapsed before the play could go on.

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