Читать книгу Why Authors Go Wrong, and Other Explanations онлайн

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Because—to get back to the whys of the authors—because when they are popular they overpopularize themselves, and when they are unpopular they lack the gumption to write more steadily and fight more gamely for recognition. We don’t mean critical recognition, but popular recognition. How can an author expect the public, his public, any public to go on swallowing him in increased amounts at meals placed ever closer together—for any length of time? And how, equally, can an author expect a public, his public, or any public, to acquire a taste for his work when he serves them a sample once a week, then once a month, then once a year? Why, a person could not acquire a taste for olives that way.

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We have no desire to be personal for the sake of being personal, but we have every desire to be personal in this discussion for the sake of being impersonal, pointed, helpful and clear. It is time to take a perfectly fresh and perfectly illustrative example of how not to write fiction. We shall take the case of Mr. Owen Johnson and his new novel, Virtuous Wives.

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