Читать книгу Why Authors Go Wrong, and Other Explanations онлайн
19 страница из 38
Of them no more. Let us go back in a closing moment to the contemplation of the great body of men and women who labor cheerfully and honorably, if rather often somewhat mistakenly, to make their living, to do good work and make the world pay them for it, yet leaving with the world the firm conviction that it has had a little the better of the bargain! These are the authors who “go wrong,” and with whose well-meant errors we have been dealing, not very methodically but perhaps not unhelpfully. Is there, then, no parting word of advice we can give our authors? To be sure there is! When our authors are quite sure they will not go wrong, they may go write!
A BARBARIC YAWP
II
A BARBARIC YAWP
ssss1
IT was the handy phrase to describe Walt Whitman: The “barbaric yawp.” In its elegant inelegance the neatly adjectived noun was felt to be really brilliant. Stump speakers “made the eagle scream”; a chap like Whitman had to be characterized handily too.
The epigrammatic mind is the card index mind. Now the remarkable thing about the card index is its casualty list. People who card index things are people who proceed to forget those things. The same metal rod that transfixes the perforated cards pierces the indexers’ brains. A mechanical device has been called into play. Brains are unnecessary any more. The day of pigeonholes was slightly better; for the pigeonholes were not unlike the human brain in which things are tucked away together, because they really have some association with each other. But the card index alphabetizes ruthlessly. Fancy an alphabetical brain!