Читать книгу Angels in Art онлайн
7 страница из 19
This manner of representing the two highest orders of angels is very ancient, and in the earliest instances in existence the faces are human, thoughtful, and mature. Gradually they became child-like, and were intended to express innocence, and later they degenerated into absurd little baby heads, with little wings folded under the chin. These in no sense convey the original, spiritual significance of the seraphic and cherubic head.
The first Scriptural mention of cherubim with wings occurs after the departure of the Israelites from Egypt, Exodus xxv., 20: “And the cherubim shall stretch forth their wings on high, covering the mercy seat.” Isaiah gives warrant for six wings, as frequently represented in Art, and so vividly described by Milton:
“A seraph winged; six wings he wore to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
Perugino.—A Six-winged Cherub. (From the Assumption of the Virgin.)
With regal ornament; the middle pair
Girt like a starry zone his waist, and round