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In many instances the history of an individual horse forms part and parcel of the history of his rider: accordingly we learn that Bucephalus (so called because his head resembled that of a bull, Βου κεφαλος), when thirty years old, saved the life of Alexander the Great, who, in remembrance, built a city which he called after his name.

We are, moreover, taught in our schools, that the Emperor C. Caligula, as an especial honour to his favourite horse, not only created him a high-priest and consul, but caused him to live in marble apartments, in which he stalked about adorned with the most valuable trappings and pearls the Roman empire could supply.

In statuary, ancient as well as modern, the horse lives with his rider.

On the frieze of the Temple of Minerva, in the Acropolis of Athens, at Nineveh, and numerous other localities, are to be seen sculptured or painted, more or less beautifully, ancient figures of men on horseback.

In all the great cities of Europe the horse and his rider, or rather the rider and his horse, are ornaments deemed worthy to occupy conspicuous positions in the most important thoroughfares. Accordingly in London, within a few hundred yards of each other, are to be seen equestrian statues of Kings Charles I., William III., George III., and George IV.