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[Pg xxxvii]

How far is this view of the probabilities confirmed, or refuted, by what occurred in the case of the Galatea? The Second Part of that novel, like the Second Part of Don Quixote, had been promised con brevedad. Ten years passed, and still the sequel to the pastoral did not appear. Ticknorssss1 records the tradition that Cervantes "wrote the Galatea to win the favour of his lady," Doña Catalina de Palacios Salazar y Vozmediano, and cynically adds that the new Pygmalion's "success may have been the reason why he was less interested to finish it." The explanation suggested is not particularly creditable to Cervantes, nor is it credible in itself. Cervantes's intention, so often expressed, was excellent, and it is simple justice to remember that, for the best part of the dozen years which immediately followed the publication of the Galatea, he was earning his bread as a tax-collector or tithe-proctor. This left him little time for literature. Twenty years went by, and still the promised Galatea was not issued. One can well understand it. Cervantes had been discharged from the public service: he was close on sixty and seemed to have shot his bolt: his repute and fortune were at the lowest point. His own belief in the Galatea might be unbounded; but it was not very likely that he would succeed in persuading my businesslike bookseller to issue the Second Part of a pastoral novel which had (more or less) failed nearly a quarter of a century earlier. He struck out a line for himself and, in a happy hour for the world, he found a publisher for Don Quixote. It was the daring venture of a broken man with nothing to lose, and its immense success completely changed his position. Henceforward he was an author of established reputation, and publishers were ready enough to take his prose and pay for it. As the reference in Don Quixote shows, Cervantes had never, in his most hopeless moment, given up his idea of publishing his sequel to the Galatea. His original promise in 1585 was explicit, if conditional: and manifestly in 1605 he held that the condition had been fulfilled. In the latter year he was much less explicit as to his intention of publishing a continuation of Don Quixote, and, in the concluding quotation adapted from Orlando Furioso, he almost invited some other writer to finish the book. Probably no contemporary reader would have been surprised if the sequel to the Galatea had appeared before the sequel to Don Quixote.ssss1 Still it must be acknowledged that the instant triumph of Don Quixote altered the situation radically. In these circumstances, which he could not possibly have foreseen when he vaguely suggested that another hand might write the further adventures of Don Quixote and Sancho Panza, Cervantes was perfectly justified in deciding to finish the later work before printing the earlier one. It would have been the most natural thing in the world for an ordinary man to make the most of his popularity and to bring out both sequels in rapid succession. But Cervantes was not an ordinary man, and few points in his history are more inexplicable than the fact that, after the amazing success of Don Quixote, he published practically nothing for the next eight years.

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