Читать книгу The Art of Ballet онлайн
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Considerable difference of opinion exists as to the “religious” dances of Egypt. Enthusiastic historians of dancing seem rather too prone to expand the little store of fact we possess, and some go to the length of speaking of the religious and popular “ballets” of the Egyptians. But it is certain that they had no regular theatrical spectacles in which dancing was of prime importance; and their popular dances, to any such extent as they could be described as “representations ingenieuses,” were primitive in comparison with any of later times.
Solo-dances and pas de deux were general enough, but the dancing of massed groups, and the dramatic representation of a story, appear to have been unknown, or have passed unrecorded if they were known. The nearest approach to them, though not of course performed as a theatrical spectacle, would seem to have been an “astronomical dance,” which was done by or under the direction of the priests of Apis, and is said to have been—appropriately enough!—a representation of the movements of the stars. It is probable that it was employed mainly as a means of education.