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As soon as the image was landed, it was received by all the monks and the whole of the ecclesiastical body, who went to meet it in procession with four large chariots containing different tableaux. The first car represented Fame, the second the town of Milan, the third Portugal, and the fourth the Church. Besides the chariots, each company of monks and each Brotherhood carried its own particular Saint on rich litters, called by the Portuguese “andarillas.” The image of St. Charles was ornamented with precious stones to the value of twenty-six to twenty-seven thousand crowns; several others to the value of sixty, seventy and eighty thousand crowns, and the jewels that were displayed at this fête were estimated at more than four millions.

Between each chariot were troops of dancers, who represented, in dancing, the more notable of the acts of the Saints. Octavio Accoromboni, Bishop of Fossombrone, who obtained these honours for St. Charles, was at this time in the town of Lisbon, where he had gone to collect certain monies that Portugal was giving to the Pope. He has left us a description of this fête, in which he remarks that “the Italians and more especially the Romans, should not be surprised to read that dances and ballets formed a part of so sacred a ceremony, because in Portugal processions and fêtes would not seem elevated nor serious enough unless accompanied by these manifestations of joy.”