Читать книгу Great Zimbabwe, Mashonaland, Rhodesia. An account of two years' examination work in 1902-4 on behalf of the government of Rhodesia онлайн

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The roll completed, all set off in Indian file either to the Elliptical Temple or the Acropolis, singing in chorus in a Tyrolese style, one man giving the recitative, which is almost always of a purely extempore and local character. When once within the ruins, blankets are thrown off and the forty boys make, with a background of light-coloured, lichen-draped walls, a dark mass of humanity, for, save their insignificant aprons fastened with a bark string to their waists, and their necklaces of blue beads and amulets, and brass bangles on arm and leg, they are practically naked, and the sun shines on their glossy chocolate-tinted skins as on burnished metal. The Makalanga have exceedingly strong social instincts, and prefer to work together in one mass even in a small area. To separate them into small gangs would mean little or no work done.

On wet days, or for a few succeeding days, the work is confined to carrying out blocks, which have either fallen from the walls or been piled up by the long succession of archæologists and gold relic collectors who have worked within the ruins. These are carried held up high over their shoulders at arms’ length, or else on the tops of their heads, where natives carry anything from the size of a pill-box to a 40 lb. load. They never carry anything with arms downwards. In fine weather, leaf mould full of roots and seeds, and past excavators’ soil-heaps are removed outside in boxes, the narrow entrances precluding the general use of wheelbarrows. Relics would be lost in the wet and clayey soil were it removed in wet weather. All the boys work en masse, each picks up his box or block, and when all are loaded up they start in one unbroken line for the débris heap outside, singing choruses with recitatives all the way out and on their return. The boxes are carried on one shoulder, a knobkerrie being used as a lever over the other shoulder to hold up the back of the box. The procession of boxes seems interminable—“Milkmaid,” “Armour Beef,” “Lime Juice Cordial,” “Highland Whisky,” “Raisins,” “Coleman’s,” “Mazawattee,” supplemented by buckets, but above all by “Nectar Tea.” Each box has a branded notice uncomplimentary to ships’ boilers. But “Nectar” is the great triumph of Zimbabwe.


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