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Praxiteles has been described as “He who actually blended with his marbles the emotions of the soul.” The phrase is a fitting one with which to close our review of his art. His abiding greatness depends less upon sheer beauty of line than upon the delicacy of the feelings which he made marble convey. The play of the passing emotion on the face of the “ssss1,” the dreamy passion of the “ssss1,” and the illusive charm with which the “ssss1” shrinks from the revelation of her beauty—these are typical of what is most characteristic in the sculpture of Praxiteles and his fellow workers. He felt the emotional appeal of the feminine and the youthful male form rather than saw the beauties of line displayed in the new subjects offered for sculptural treatment. It is far from true that the Greek sculptor generally sought for beauty of form to the neglect of all the varied charm that lies in intellectual and emotional expression. This might be said of Phidias and Polyclitus. The insight of the sculptors of the following century into the depths of human emotion, on the contrary, was infinite. Scopas and Praxiteles made marble speak the more delicate emotions of the soul to the last word.