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The sight of the beach of one of these resorts is familiar. There is the mass of people brightly coloured and loudly talking, broken into rapidly changing groups. There are the nigger singers, the buffoons, the acrobats; there are the great restaurants and hotels inviting lavish expenditure on food. There are bookstalls laden with trashy novels. There are the overridden beasts and the overworked maid-servants; there is the loafing on the pier, and the sleep after heavy meals. Nothing especially wicked, much that shows good-nature, but everything so vulgar—so empty of interest, so far below what thinking men and women should enjoy, so unworthy the expenditure of hundreds of thousands of pounds earned by hard work.

Consider again the music hall. Mr. Stead has lent his eyes. “If,” he says, “I had to sum up the whole performance in a single phrase I should say, ‘Drivel for dregs’. For three and a half hours I sat patiently listening to the most insufferable banality and imbecility which ever fell on human ears. There was neither beauty nor humour, no appeal to taste or to intelligence, nothing but vulgarity and stupidity to recreate the heirs of a thousand years of civilization and the citizens of an empire on which the sun never sets.” And in one year there are some 70,000,000 admissions to music halls in London! Consider, too, the football fields or the racecourses. The crowd of spectators is often 100,000 to 200,000 persons. What can they find worthy the interest of a reasonable creature? Would they be present if it were not for the excitement of gambling, the mind-destroying pleasure of risking their money to get their neighbours’ money? “If,” as Sir James Crichton-Browne says, “you would see the English physiognomy at its worst, go to the platform of a railway station on the day of a suburban race meeting when the special trains are starting. On most of the faces you detect the grin of greed, on many the leer of low cunning, on some the stamp of positive rascality.”