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It is one of the saddest facts of life in this crowded, busy, tiring, and hurried part of London that it is more difficult to keep one’s soul (like one’s plants) alive than it is in gentler places, where folk get the aid of some of nature’s beauties, and some moments of that outside quiet which help to make it possible to fancy “the peace which passeth all understanding”. But because Whitechapel is Whitechapel and Toynbee Hall is in its midst, more artificial methods for gaining and keeping life must be adopted.

It is true that the Entertainment Committee prefer those gatherings which can take place out of doors in the country, where the guests gain all that comes from the charm of being graciously entertained under “the wider sky”; but still town parties are not to be despised, and, judging from the glad acceptance of those many who “cannot bid again,” they are generally enjoyed.

The method of food entertainment is very simple, so simple that it sometimes wars against the generous instincts of the hosts; but, after careful thought, it has been decided that the object of Toynbee Hall entertainments and parties will be more surely gained if “plain living and high thinking” can be maintained—not to mention the more mundane consideration that more friends can be welcomed as guests, if each is not so expensive. So the pleasure to be gained from rich or dainty food is neglected, and the guests are summoned in order to give them pleasures by increasing their interests. And among the means of doing this may be reckoned the fine thoughts of the great dumb teachers, the artists, of which those who care can learn as they turn over the portfolios, look at the photograph books, or study the gift pictures on the walls. The great in the musical world are called upon for offerings as the musically generous among the friends of Toynbee Hall pass on the plaintive ideas of Schumann, or the grand soul-stirring aspirations of Beethoven and Mozart.