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‘I think I can imagine the consequences already!’ said Julia, smiling maliciously.

‘Begin then,’ retorted Vetranio, ‘by imagining that the strangeness of this girl’s situation, and the originality of her ideas, invested her with an attraction for me, which the charms of her person and age contributed immensely to heighten. She delighted my faculties as a poet, as much as she fired my feelings as a man; and I determined to lure her from the tyrannical protection of her father by the employment of every artifice that my ingenuity could suggest. I began by teaching her to exercise for herself the talent which had so attracted her in another. By the familiarity engendered on both sides by such an occupation, I hoped to gain as much in affection from her as she acquired in skill from me; but to my astonishment, I still found her as indifferent towards the master, and as tender towards the music, as she had appeared at our first interview. If she had repelled my advances, if they had overwhelmed her with confusion, I could have adapted myself to her humour, I should have felt the encouragement of hope; but the coldness, the carelessness, the unnatural, incomprehensible ease with which she received even my caresses, utterly disconcerted me. It seemed as if she could only regard me as a moving statue, as a mere impersonation, immaterial as the science I was teaching her. If I spoke, she hardly looked on me; if I moved, she scarcely noticed the action. I could not consider it dislike; she seemed to gentle to nourish such a feeling for any creature on earth. I could not believe it coldness; she was all life, all agitation, if she heard only a few notes of music. When she touched the chords of the instrument, her whole frame trembled. Her eyes, mild, serious, and thoughtful when she looked on me, now brightened with delight, now softened with tears, when she listened to the lute. As day by day her skill in music increased, so her manner towards me grew more inexplicably indifferent. At length, weary of the constant disappointments that I experienced, and determined to make a last effort to touch her heart by awakening her gratitude, I presented her with the very lute which she had at first heard, and on which she had now learned to play. Never have I seen any human being so rapturously delighted as this incomprehensible girl when she received the instrument from my hands. She alternately wept and laughed over it, she kissed it, fondled it, spoke to it, as if it had been a living thing. But when I approached to suppress the expressions of thankfulness that she poured on me for the gift, she suddenly hid the lute in her robe, as if afraid that I should deprive her of it, and hurried rapidly from my sight. The next day I waited for her at our accustomed meeting-place, but she never appeared. I sent a slave to her father’s house, but she would hold no communication with him. It was evident that, now she had gained her end, she cared no more to behold me. In my first moments of irritation, I determined to make her feel my power, if she despised my kindness; but reflection convinced me, from my acquaintance with her character, that in such a matter force was impolitic, that I should risk my popularity in Rome, and engage myself in an unworthy quarrel to no purpose. Dissatisfied with myself, and disappointed in the girl, I obeyed the first dictates of my impatience, and seizing the opportunity afforded by my duties in the senate of escaping from the scene of defeated hopes, I departed angrily for Ravenna.’