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That we see around us a great interest in the drama is, of course, a commonplace. But how much of that is literary? When the delights of the eye are removed from the sum of pleasure, what is left? Our public is interested in the actors and their art, in the scenery and the furniture, in the notion of large sums of money expended, lost, or won. When all these incidental interests are extracted from the curiosity excited by a play, not very much is left for the purely literary portion of it—not nearly so much, at all events, as is awakened by a great novel. After all that has been said about the publication of plays, I expect that the sale of dramatic contemporary literature remains small and uncertain. Mr. Pinero is read; but one swallow does not make a summer. Where are the dramatic works of Mr. Sydney Grundy, which ought—if Mr. Caine be correct—to be seen on every book-shelf beside the stories of Mr. Hawley Smart?

If, however, I venture to emphasise the fact of the tyranny of the novel in our current literature, it is without a murmur that I do so. Like the harmless bard in Lady Geraldine's Courtship, I "write no satire," and, what is more, I mean none. It appears to me natural and rational that this particular form of writing should attract more readers than any other. It is so broad and flexible, includes so vast a variety of appeals to the emotions, makes so few painful demands upon an overstrained attention, that it obviously lays itself out to please the greatest number. For the appreciation of a fine poem, of a learned critical treatise, of a contribution to exact knowledge, peculiar aptitudes are required: the novel is within everybody's range. Experience, moreover, proves that the gentle stimulus of reading about the cares, passions, and adventures of imaginary personages, and their relations to one another—a mild and irresponsible mirroring of real life on a surface undisturbed by responsibility, or memory, or personal feeling of any kind—is the most restful, the most refreshing, of all excitements which literature produces.