Читать книгу Dramatis Personæ онлайн

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This strange novel is oddly constructed. It is a narrative in which episode follows episode with little apparent connection. The first half is a lengthy explanation of what the second part is to put into action. It drags and seems endless, and might be defined by a sentence out of the book, where some one "recognized a wearisome impressiveness in the pompous manner of his narrative." Suddenly, with Nostromo's first actualized adventure the story begins, the interest awakens, and it is only now that Nostromo himself becomes actual. He has been suggested by hints, indicated in faint outline. We have been told of his power and influence, we see the admiration which surrounds him, but the man walks veiled. His vanity, evident at the first, becomes colossal: "The man remained astonishingly simple in the jealous greatness of his conceit." Then, as he awakens one morning under the sky, he rises "as natural and free from evil in the moment of waking as a magnificent and unconscious wild beast." The figure greatens in his allegiance to the shining spectre of the treasure, which makes him afraid because "he belonged body and soul to the unlawfulness of his audacity." His death is accidental, but, in Conrad's merciful last words, he has, after his death, the "greatest, the most enviable, the most sinister of his successes. In that true cry of love and grief that seemed to ring aloud from Punta Mala to Azuera and away to the bright line of the horizon, overhung by a big white cloud shining like a mass of solid silver, the genius of the magnificent Capataz de Caegadores dominated the dark gulf containing his conquests of treasure and love."