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The greater number alone would justify our choice. But another and more important consideration may be added to the former. Manufacturers of vases have different trademarks for their ware. They trace their name with a paint-brush on the body of the vase, or else incise it in fine letters on the foot or handle. The mode in which their name occurs varies: “So-and-so made,” or else “So-and-so painted.” There can be no uncertainty as to the latter phrase; it refers to the artist who executed the paintings decorating the vase. But this term is far less frequent than the former, which has caused many discussions. “So-and-so made”? Is it a more elliptical way of implying the designer, or is it the potter who speaks in contrast to the painter and designer? Or, again, did the same man make the vase and then paint it? Is it the master, the overseer who directs the entire manufacture, and who, after the different processes of modelling, of decoration, and of baking have been executed under his direction and according to his plans, affixes to the ware of his house a sort of commercial trade-mark? All these opinions have been supported at different times. We cannot say that the subject has been fully elucidated. In consequence we run a great risk of mistake in saying that a painting is a certain potter’s workmanship, when the vase does not explicitly state who painted it.