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13.—The Black was nothing else but a “good one,” or he never could have met his man again. In fact he appeared stupid as to scientific movements, but, nevertheless, rushed at his opponent pell mell. Painter, quite collected, stopped the desperation of the Black with the utmost ease, and nobbed him at will. Painter received a chance hit upon his cheek, but in return he floored Sutton. The Black was now so dead beat that he resigned the contest in a whisper to his seconds. He was requested to try two rounds more, which he gamely did, but it was only to add to his punishment. At the end of the fifteenth round he could scarcely articulate in reply to Belcher, who had crossed the ring, “he would fight no more.”

Remarks.—One hour and forty-two minutes had elapsed, and a braver or a more manly battle does not stand recorded in the annals of pugilism. Sutton weighed thirteen stone nine pounds, being two pounds heavier than his opponent; he was also about three inches taller; his arms too were considerably longer than Painter’s. Several of the spectators were so pleased with the manliness displayed by the combatants, that, in the impulse of the moment, they drew Painter and his seconds off the ground in their post-chaises into the town of Bungay, where females were seen waving their handkerchiefs from the windows as he passed through the streets to the inn. From the superior style with which this victory was gained Painter raised himself high in the opinion of the sporting world. True, that to good condition and active and careful training, he was much indebted for conquest, opposed to a man of almost Herculean strength and pluck. His first battle lost with Sutton proceeded greatly from a deficiency of tone in the system, but he was now able to face his man for an hour and forty-two minutes without difficulty; whereas, in his former contest with this sombre hero his distress was so great that he could not lift up his hands. At Bungay he came into the ring so confident in mind and firm in his person that he took the fight out of Sutton at an early part of the battle. It was good training that enabled him to do this. Painter, it was remarked, could have fought much longer had it proved necessary. The advantages of a scientific second were manifest throughout the fight, from the improved system of tactics pursued by Painter upon this occasion. “Gladiator in arena capit consilium,” was said two thousand years ago, and Tom Belcher being at Painter’s elbow, the defensive plan was acted upon with judgment and success; indeed, according to the expressed opinion of many of the best informed, the prompt advice and superior skill of Belcher tended in an eminent degree, in addition to the tractability of disposition and courage of Painter, to ensure victory. Comparison proves the fact. The latter, in his second contest, hit and got away; while in his first battle he went in boldly, opposing strength to strength; hence he was defeated, the length and weight of Sutton overpowering him. In the character of a second, from his experience and practice as a scientific pugilist, Tom Belcher, if not superior, was not excelled by any boxer. The result of this contest completely deceived the knowing ones, as the odds were greatly in favour of Sutton previous to the fight; and Oliver, the conqueror of Painter, backed the Black freely on the ground, so sure was the event considered.