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I had admired Gorki for many years. He was the living affirmation of my belief that the creative artist cannot be suppressed. Gorki, the child of the people, the pariah, had by his genius become one of the world's greatest, one who by his pen and deep human sympathy made the social outcast our kin. For years I toured America interpreting Gorki's genius to the American people, elucidating the greatness, beauty, and humanity of the man and his works. Now I was to see him and through him get a glimpse into the complex soul of Russia.

I found the main entrance of his house nailed up, and there seemed to be no way of getting in. I almost gave up in despair when a woman pointed to a dingy staircase. I climbed to the very top and knocked on the first door I saw. It was thrown open, momentarily blinding me with a flood of light and steam from an overheated kitchen. Then I was ushered into a large dining room. It was dimly lit, chilly and cheerless in spite of a fire and a large collection of Dutch china on the walls. One of the three women I had noticed in the kitchen sat down at the table with me, pretending to read a book but all the while watching me out of the corner of her eye. It was an awkward half hour of waiting.