Читать книгу Livin' la Vida Barroca. American Culture in an Age of Imperial Orthodoxies онлайн

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The moment my eyes focused on the inside flap, however, I was reminded of my continuing lack of post-September 11 imagination. How foolish of me not to realize that in times like these passports can, and should be, a full-blown propaganda documents, replete with the cheesiest and most hackneyed evocations of national grandeur. Page 1: a quote from The Star-Spangled Banner in a lithograph-like image of The War of 1812. Page 2: Lincoln’s famous quote about “government of the people, by the people and for the people.” Pages 3-4: a multicolor image of an eagle and a flag towering over the image and personal information of the passport’s bearer. And on and on for 24 more pages with graphic backdrops such as Mt. Rushmore, the Liberty Bell, and yes, buffaloes roaming across the open plains.

When most Americans think of the Baroque it is probably an association with French music or Latin American architecture. It is certainly not inaccurate to do so. But it is important to remember that the Baroque was, and is, much more than this.


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