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The house to which we invite our reader is exactly opposite, and on the east side of this edifice, including in its area the present church of St. Marcellus, whence it extended back towards the foot of the Quirinal hill. It is thus found to cover, as noble Roman houses did, a considerable extent of ground. From the outside it presents but a blank and dead appearance. The walls are plain, without architectural ornament, not high, and scarcely broken by windows. In the middle of one side of this quadrangle is a door, in antis, that is, merely relieved by a tympanum or triangular cornice, resting on two half columns. Using our privilege as “artists of fiction,” of invisible ubiquity, we will enter in with our friend, or “shadow,” as he would have been anciently called. Passing through the porch, on the pavement of which we read with pleasure, in mosaic, the greeting Salve, or Welcome, we find ourselves in the atrium, or first court of the house, surrounded by a portico or colonnade.ssss1


Door of Pansa’s house, with the greeting Salve or Welcome.

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