Читать книгу Geofroy Tory. Painter and engraver; first royal printer; reformer of orthography and typography under François I онлайн

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This is what happened: Tory, whose activity was very great, did not confine himself to his professorship,[36] but set about learning drawing (probably under the instruction of Jean Perreal, of whom I shall have occasion to speak again), and also engraving, for which he had a special bent. This apprenticeship, with the duties of his professor's chair,—for Tory drove art and philosophy side by side, as the epitaph just quoted has it ('philosophiam simulque artem exercuit typographicam'),[37]—engrossed him completely for three or four years; but at the end of that time, being far from content with his attempts at printing and engraving, or too enthusiastic to be satisfied with a partial result, he determined to study classic forms and outlines in Italy itself, of which country he had retained such agreeable memories that he speaks of it constantly. Consequently he abandoned his professorship and started south again. It was on this journey that he visited the Coliseum 'more than a thousand times,'[38] that he saw the theatre of Orange,[39] and the ancient monuments of Languedoc[40] and of other places in France and Italy,[41] which he cites as his authorities on every page of his 'Champ fleury.'