Читать книгу El Códice mendocino: nuevas perspectivas онлайн

98 страница из 150

Giorgi, R., D. Chelazzi, y Diana Magaloni Kerpel. 2014. “Unveiling the Artistic Technique of the Florentine Codex: When the Old World and the New World Met”. En Science and Art: The Painted Surface, editado por Antonio Sgamellotti, Brunetto Giovanni Brunetti, y Costanza Miliani, 147–69. Cambridge: Royal Society of Chemistry.

Gómez Tejada, Jorge. 2012. “Making the Codex Mendoza, Constructing the Codex Mendoza: A Reconsideration of a 16th Century Mexican Manuscript”. Tesis doctoral, Yale University.

Gómez Tejada, Jorge. 2021. "The Matrícula de Tributos: stylistic and material observations into its dating and original context". Ancient Mesoamerica, online preview, doi:10.1017/S0956536121000055

Grazia, Chiara. 2015. “Through the Shades of Time, from Pre-Columbian to Contemporary Art: Application of UV-Vis-NIR Reflectance and Fluorescence Spectroscopy to Understand Painting Materials”. Tesis doctoral, Università degli Studi di Perugia.

Grazia, Chiara, David Buti, Laura Cartechini, Francesca Rosi, Francesca Gabrieli, Virginia M. Lladó- Buisán, Davide Domenici, Antonio Sgamellotti, Aldo Romani and Costanza Miliani. 2019. “Exploring the materiality of Mesoamerican manuscripts by non-invasive spectroscopic methods: Codex Laud, Bodley, Selden, Mendoza and Selden Roll at the Bodleian Library”. En Mesoamerican Manuscripts: New scientific approaches and interpretations, editado por Maarten Jansen, Virginia M. Llado-Buisán y Ludo Snijders, 134-159. Leiden: Brill.