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Howe, Kathleen Stewart. 1992. “The Relationship of Indigenous and European Styles in the Codex Mendoza”. En The Codex Mendoza, editado por Frances Berdan y Patricia Rieff Anawalt, 1:25–33. Berkeley, CA: University of California Press.

Kirby, Jo, Marika Spring, y Catherine Higgitt. 2005. “The Technology of Red Lake Pigment Manufacture: Study of the Dyestuff Substrate”. National Gallery Technical Bulletin 26: 71–87.

López Luján, Leonardo, y Giacomo Chiari. 2012. “Color in Monumental Mexica Sculpture”. RES: Anthropology and Aesthetics 61–62 (marzo): 330–42. https://doi.org/10.1086/RESvn1ms23647839.

Magaloni Kerpel, Diana. 2011. “Painters of the New World: The Process of Making the Florentine Codex”. En Colors between Two Worlds: The Florentine Codex of Bernardino de Sahagún, editado por Gerhard Wolf y Joseph Connors, 47–76. Florence: Kunsthistorisches Institut in Florenz Max-Plank-Institut - Villa I Tatti The Harvard University Center for Italian Renaissance Studies.