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‘You could—you could.’

‘What would that matter?’ cried this stern philosopher. ‘I would be just Joyce Matheson among them all. But here I’m not Joyce Matheson, I’m—anything. I’m Desdemona or even Rosalind. I’m Lady Joyce, as granny says. I’m no match for any but a prince—oh, Andrew!—what I meant to say was that in my thoughts I’m a grand lady, but in Bellendean, nobody—nobody! a little schoolmistress, a little country girl.’

‘I know what you mean,’ he said, recovering the hand she had drawn from his arm. ‘But if you love me, Joyce, I’m prince enough for anything,’ he said in a lower tone.

This touch of feeling suddenly coming in silenced Joyce. She made no reply. Love had been little talked of between them. They had thought more of Shakespeare and the poets generally, and of that culture which levels all distinctions, and makes of those who are engaged ‘in tuition’ the superiors of the world. There was always this strange question, too, so little explicable, of class distinctions, which contradicted all theories, and set culture aside as if it meant nothing. They were both aristocrats by birth, holding fondly to the doctrine of a superior race, but feeling also a wistful, nay, sometimes angry, wonder why their own special affinities for that race were not more justly recognised.