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Shortly after the marriage came the festival of the vintage, the Bacchanalia, which was celebrated by the bride and bridegroom and their friends with the wildest merriment. That last scene in the licentious career of Messalina must have made a deep impression on the feeling of Rome, and it is lit up for ever by one of Tacitus’s most vivid flashes of description. Messalina had bestowed on Silius the Imperial palace and its contents, and in the garden of the palace they paid full honour to the orgiastic cult of Bacchus. Wine-presses were set up, and the women of Messalina’s company, their white limbs and bosoms scantily covered with strips of fawn skin, sang and danced the Bacchic dance round the large vats of grape-juice. Messalina, her golden hair flowing loose under her ivy wreath, shook her thyrsus and led the wild dance. Silius lay at her feet, crowned with ivy, nodding his head to the air of the lascivious chorus. Wine flowed freely on that autumn afternoon, and the gay world and distant Ostia were forgotten; or so little heeded that when Vettius Valens, one of Messalina’s discarded lovers, had, in boyish exuberance, climbed a high tree, and they crowded round and asked what he saw, he gaily cried: “A hurricane from Ostia.” But before the evening was out the hurricane came from Ostia and scattered the revellers in terror. News was brought to the garden that Claudius was hurrying to Rome to avenge his dishonour.