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Much nonsense has been written to account for the existence of the pentatonic scale, the general conclusion arrived at being that it arose from the use of an imperfect instrument that could only produce five tones. Whatever the instrument so limited may have been, it was neither the primitive flute (like the tin whistle) of six vents, which is sufficient to produce well over an octave, nor was it the human voice. The universal use of the five note scale among many nations wide apart has never been satisfactorily explained. The following is an Irish pentatonic traditional air.

THE SHAMROCK SHORE Pentatonic
[Listen]

V. CHANGES THAT OCCUR IN

FOLK-MUSIC

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That all traditional lore is subject to change is of course a well-recognised fact, and this change is so uncertain in its effects, and so erratic in its selection that no law appears to govern it. In ballads or prose narratives that exist only by verbal transmission we may expect the dropping of obsolete words and phrases, and this usually occurs; though sometimes corruptions of such remain and are meaningless to those who repeat them.

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