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Under the rule of the Theodosian dynasty the improvement of the city went forward with leaps and bounds. Most of the public places and buildings enumerated by the Notitia, were constructed under the auspices of that House, and transformed the city. A vivid picture of the change is drawn by Themistius,^[161] who knew all the phases through which Constantinople had passed, from the reign of Constantius to that of Theodosius the Great. “No longer,” exclaims the orator, as he viewed the altered appearance of things around him, “is the vacant ground in the city more extensive than that occupied by buildings; nor are we cultivating more territory within our walls than we inhabit; the beauty of the city is not, as heretofore, scattered over it in patches, but covers its whole area like a robe woven to the very fringe. The city gleams with gold and porphyry. It has a (new) Forum, named after the emperor; it owns Baths, Porticoes, Gymnasia; and its former extremity is now its centre. Were Constantine to see the capital he founded he would behold a glorious and splendid scene, not a bare and empty void; he would find it fair, not with apparent, but with real beauty.” The mansions of the rich, the orator continues, had become larger and more sumptuous; the suburbs had expanded; the place “was full of carpenters, builders, decorators, and artisans of every description, and might fitly be called a work-shop of magnificence.” “Should the zeal of the emperor to adorn the city continue,” adds Themistius, in prophetic strain, “a wider circuit will be demanded, and the question will arise whether the city added to Constantinople by Theodosius is not more splendid than the city which Constantine added to Byzantium.”