Читать книгу A history of Italian literature онлайн

17 страница из 109

It is too early to speak as yet of Italian prose, of which no important example will be found until we reach Dante’sVita Nuova, near the end of the thirteenth century. It need only be remarked that the grace of diction and the intricacy of metrical form which Italian poets had attained by the middle of the thirteenth century, show that the language was already capable of fine prose, and that it was only needful to dispel the superstition that serious subjects must be treated in a learned tongue. Poetry prospered in the vernacular for the obvious reasons that the bards were in general ignorant of Latin, and that if they had been acquainted with it their accomplishment would have been wasted upon the lords and ladies for whom they principally wrote. The historical or philosophical writer, however, best reached the classes he addressed through the medium of Latin. Hence, though for different reasons, we observe in early Italian literature the same phenomenon as in early Greek—a brilliant poetical activity in the almost total absence of prose composition. Yet, when Tuscan prose fairly begins, its productions are the purest examples of diction—testi di lingua. This elegance testifies at once to the innate refinement of the people and to the continuous operation of intellectual influences latent in the obscurest deeps of the Dark Ages.