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It might have been expected, nevertheless, that these dialects would have become the vehicles of popular legend and poetry, and that, as anciently in Greece, a literature would at length have been evolved from the tales of the story-tellers and the songs of the minstrels. The very existence of vernacular minstrels and story-tellers is but matter of inference, the little which we possess in any sense referable to this department being in Latin. The instances laboriously accumulated by Rubieri to prove the existence of popular poetry throughout the Dark Ages seem to be all in this language; and centuries pass without any indication that the ancestors of Dante thought it possible to write in any other, and scarcely any that they cared for written composition at all, except as a medium for instruction in such knowledge as the age possessed, and the transaction of the ordinary business of life. The symptoms of vitality became more evident after the Christian world had turned the corner of its first millennium. The eleventh century was in Italy an age of eminent theologians; it also beheld the musical reforms of Guido of Arezzo; and towards its conclusion poets of some note arose to chant in Latin hexameters the triumphs of Genoa and Pisa over the Saracens. Still, although, as has been well remarked, the enthusiasm for the Crusades excited by itinerant preachers goes far to prove that public addresses were delivered in the popular dialects, there is not a trace of any written Italian language, or a hint of any such vernacular literature as existed, if it hardly flourished, among the Germans, the French, and the Anglo-Saxons. When at length in the twelfth century Poetry unmistakably presents herself in the songs of the wandering students (Goliardi), her attire is still Latin. But it was much that any class of society should now be making its own songs, and the transition to a vernacular lyric was not long or difficult, although, instead of taking birth among the people, it was fostered into life by the patronage of Courts.