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It may sound strange or startling to learn that Haliburton’s work in satiric humor and comic characterization actually displaced in England the vogue of such popular American prose writers as Irving and Cooper. The fact is important, but the reason is more important. Between 1820 and 1840 Irving, with The Sketch Book and Bracebridge Hall, and Cooper, with The Spy, The Pioneers, and his Leatherstocking Tales, won popular appreciation in England. By 1840 two Canadian authors, John Richardson, with his historical romance Wacousta, and Thomas Chandler Haliburton, with The Clockmaker series, also won popular appreciation. But Haliburton’s work was appreciated for an altogether different reason from that which caused the vogue of Irving, Cooper, and Richardson. The English were caught by the new matter in the work of Irving, Cooper and Richardson, but they felt that it was all in an old manner, the manner respectively of Goldsmith and Sir Walter Scott. They were reading, they felt, English Literature, done by two Americans and one Canadian. Save in mere matter and ‘properties’ there was nothing in the work of Irving, Cooper, and Richardson that might not have been done by a visiting Englishman who had gone to the United States or to the Canadas for new material and local color. It was English, not strictly original American, literature. And so it had a mere vogue.