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Out of the rain and mist spring has now risen full-grown, tender and lusty, fragrant, many-coloured, many-voiced, fair to see, so that it is beyond a lover’s power to make even an inventory of her lovely ways. She is tall, she is fresh and bold, sweet in her motion and in her tranquillity; and there is a soft down upon her lip as there is a silken edge to the young leaves of the beeches.

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Even the motor road is pleasant now when the nightingales sing out of the bluebell thickets under oak and sweet chestnut and hornbeam and hazel. Presently it crosses a common, too small ever to draw a crowd, a rough up-and-down expanse of gorse and thorn, pierced by grassy paths and surrounded by turf that is rushy and mounded by old ant heaps; and here, too, there are nightingales singing alone, the sweeter for the contrast between their tangled silent bowers and the sharp, straight white road. The common is typical of the lesser commons of the south. Crouch’s Croft in Sussex is another, in sight of the three dusk moorland breasts of Crowborough; gorse-grown, flat, possessing a pond, and walled by tall hollies in a hedge. Piet Down, close by, is a fellow to it—grass and gorse and irregular pine—a pond, too—rough, like a fragment of Ashdown or Woolmer, and bringing a wild sharp flavour into the mellow cultivated land. Yet another is at Stone Street, very small, a few oaks up to their knees in blackthorn, gorse and bramble, with dusty edge and the hum of the telegraph wire for a song.