Читать книгу The South Country онлайн

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Almost every group of oast houses here, seen either amongst autumn fruit or spring blossom, is equal in its effect to a temple, though different far, even when ivy-mantled as they occasionally are, from the grey towered or spired churches standing near. The low round brick tower of the oast house, surmounted by a tiled cone of about equal height, and that again crested with a white cowl and vane, is a pleasant form. There are groups of three which, in their age, mellow hue, roundness, and rustic dignity, have suggested the triple mother goddesses of old religions who were depicted as matrons, carrying babes or fruit or flowers, to whom the peasant brought thank-offerings when sun and rain had been kind. Those at Kemsing, for example, stand worthily beside the perfect grey-shingled spire, among elm and damson, against the bare cloudy Down. And there are many others near the Pilgrims’ Way of the same charm.

That road, in its winding course from Winchester to Canterbury, through Hampshire, Surrey and Kent, sums up all qualities of roads except those of the straight highway. It is a cart-way from farm to farm; or a footpath only, or a sheaf of half-a-dozen footpaths worn side by side; or, no longer needed except by the curious, it is buried under nettle and burdock and barricaded by thorns and traveller’s joy and bryony bines; it has been converted into a white country road for a few miles of its length, until an ascent over the Downs or a descent into the valley has to be made, and then once more it is left to footsteps upon grass and bird’s foot trefoil or to rude wheels over flints. Sometimes it is hidden among untended hazels or among chalk banks topped with beech and yew, and the kestrel plucks the chaffinch there undisturbed. Or it goes free and hedgeless like a long balcony half-way up the Downs, and unespied it beholds half the South Country between ash tree boles. Church and inn and farm and cottage and tramp’s fire it passes like a wandering wraith of road. Some one of the little gods of the earth has kept it safe—one of those little and less than omnipotent gods who, neglecting all but their own realms, enjoy the earth in narrow ways, delighting to make small things fair, such as a group of trees, a single field, a pure pool of sedge and bright water, an arm of sea, a train of clouds, a road. I see their hands in many a by-way of space and moment of time. One of them assuredly harbours in a rude wet field I know of that lies neglected between two large estates: three acres at most of roughly sloping pasture, bounded above by the brambly edge of a wood and below by a wild stream. Here a company of meadow-sweet invades the grass, there willow herb tall with rosy summits of flowers, hoary lilac mint, dull golden fleabane, spiry coltstails. The snake creeps careless through these thickets of bloom. The sedge-warbler sings there. One old white horse is content with the field, summer and winter, and has made a plot of it silver with his hairs where he lies at night. The image of the god is in the grey riven willow that leans leafless over the stream like a peasant sculpture of old time. There is another of these godkins in a bare chalk hollow where the dead thistles stick out through a yard of snow and give strange thoughts of the sailless beautiful sea that once rippled over the Downs: one also in the smell of hay and mixen and cow’s breath at the first farm out of London where the country is unsoiled. There is one in many a worthless waste by the roadside, such as that between two roads that go almost parallel for a while—a long steep piece, only a few feet broad, impenetrably overgrown by blackthorn and blackberry, but unenclosed: and one in each of the wayside chalk-pits with overhanging beech roots above and bramble below. One, too, perhaps many, were abroad one August night on a high hillside when the hedge crickets sang high up in the dogwood and clematis like small but deafening sewing machines, and the glowworms shone in the thyme, and the owl’s crying did not rend the breathless silence under the full moon, and in the confused moonlit chequer of the wood, where tree and shadow were equals, I walked on a grating of shadows with lights between as if from under the earth; the hill was given over to a light happiness through which I passed an unwilling but unfeared intruder.

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