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This very interesting poem is written in a half-humorous fashion, but its intention is quite serious. In a wonderfully imitative manner,[8] it describes the wrangling and disputing in a five-voiced fugue (where five persons appear to be taking part):

One is incisive, corrosive;

Two retorts, nettled, curt, crepitant;

Three makes rejoinder, expansive, explosive;

Four overbears them all, strident and strepitant:

Five ... O Danaïdes, O Sieve!

(For killing their husbands the fifty Danaïdes were doomed to pour water everlastingly into a sieve.)

“Where in all this is the music?” asks Browning. And, although he is writing humorously, yet, however rank the heresy, he finds that the fugue, with its elaborate counterpoint, is wanting in the essentials of true art. He prefers Palestrina’s simpler and more emotional mode of expression:

Hugues! I advise meâ poenâ[9]

(Counterpoint glares like a Gorgon)

Bid One, Two, Three, Four, Five, clear the arena!

Say the word, straight I unstop the full-organ,

Blare out the mode Palestrina.