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Well then, the Word is all-important, for without the Word the soul of man would live within itself, and therefore stand imprisoned and null, a sort of death. And the Word is all-important in a second way, for by the Word the soul of man not only lives but also communicates. It is by the Word that soul and soul recognise, fertilise and enrich among themselves, each all its fellows. But there is a third character of dignity attaching to the Word, which is this: that the Word reflects and carries on, inherits, shows forth in little, presents, that great origin the soul of man, whence it proceeded; and here it is that I come to the kernel of my subject.

For it is my business to argue here that there is a mystical quality—that is, a quality not contradictory of reason but superior to it—inhabiting the right use of Words. I would say more: I would say that upon the exactitude of that quality in use depended the magic of the poets.

Very certainly men at random, any men, may experience the unexpressed emotion, but the function of the poet—in which he is a sort of splendid servant—is to bring words to his master, his fellow-man, the innumerable, and to untie his tongue.

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