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But the weather grows worse; they must needs strike the topmast and heave-to under the main-course (mainsail), a manœuvre which, usual enough with Elizabethan ships, would never be attempted now. Under the same circumstances the lower main-topsail would be used, the mainsail having been furled long before because of its unwieldy size. Still the passengers annoy, now with abuse, which is answered by an appeal to their reason and an invitation to them to take hold and work. For the need presses. She is on a lee shore, and in spite of the fury of the gale sail must be made. “Set her two courses [mainsail and foresail], off to sea again, lay her off.” And now the sailors despair and speak of prayer, their cries met scornfully by the valiant boatswain with “What, must our mouths be cold?” Then follows that wonderful sea-picture beginning Scene 2, which remains unapproachable for vigour and truth. A little further on comes the old sea-superstition of the rats quitting a foredoomed ship, and in Ariel’s report a spirited account of what must have been suggested to Shakespeare by stories of the appearance of “corposants” or St. Elmo’s fire, usually accompanying a storm of this kind. And in answer to Prospero’s question, “Who was so firm?” &c., Ariel bears incidental tribute to the mariners,—“All, but mariners, plunged in the foaming brine and quit the vessel,” those same mariners who are afterwards found, their vessel safely anchored, asleep under hatches, their dangerous toil at an end.