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If moreover, as has been well argued[56], a state of ecstasy was the highest manifestation of religious feeling, and this spiritual exaltation was the deliberate aim and end of Bacchic and other orgies, it must be frankly avowed that religion in its highest manifestations was not conducive to what we call morality. The means of inducing the ecstatic condition comprised drunkenness, inhalation of vapours, wild and licentious dancing. With physical surexcitation came, or was intended to come, a spiritual elevation such that the mind could visualise the object of its desire[57] and worship, and enjoy a sense of unity therewith. On the savagery and debauchery which accompanied these religious celebrations there is no need to enlarge. The Bacchae of Euripides, with all its passion for the beauty of holiness, is a standing monument to the excesses of frenzy: and that these were no mere figment of the poet’s imagination nor a transfiguration of rites long obsolete, is proved by a single sentence of a sober enough writer of later times, ‘The things that take place at nocturnal celebrations, however licentious they may be, although known to the company at large, are to some extent condoned by them owing to the drunkenness[58].’