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He was conscious, too, of being a Forsyte in his work, that painting of water-colours to which he devoted so much energy, always with an eye on himself, as though he could not take so unpractical a pursuit quite seriously, and always with a certain queer uneasiness that he did not make more money at it.

It was, then, this consciousness of what it meant to be a Forsyte, that made him receive the following letter from old Jolyon, with a mixture of sympathy and disgust:

“SHELDRAKE HOUSE,

“BROADSTAIRS,

“July 1.

“MY DEAR JO,”

(The Dad’s handwriting had altered very little in the thirty odd years that he remembered it.)

“We have been here now a fortnight, and have had good weather on the whole. The air is bracing, but my liver is out of order, and I shall be glad enough to get back to town. I cannot say much for June, her health and spirits are very indifferent, and I don’t see what is to come of it. She says nothing, but it is clear that she is harping on this engagement, which is an engagement and no engagement, and—goodness knows what. I have grave doubts whether she ought to be allowed to return to London in the present state of affairs, but she is so self-willed that she might take it into her head to come up at any moment. The fact is someone ought to speak to