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The way to her own domain led past the suite of rooms occupied by Laurence, and with perfect deliberation she opened the door of the boudoir off the sleeping-apartment and entered.

This suite, comprising a bed, dressing and bath room, besides the boudoir in question, was designated by the household as la volière; for the whole plan of decoration was based upon bird life. It had been a fantasy of a Marquise de Plenhöel, arriving as a bride there from the Court of Versailles, to evolve for her own personal use this dainty retreat, so completely at variance with the grim fortress on the coast of Finisterre. She had been of a gay and witty spirit, had this pretty Marquise, and this was testified by the ingenuity with which these embellishments had been planned.

From the exquisite lampas covering the walls, where flights of winged things seemed alive amid branches of pale brocaded roses and apple-blossoms, from the curtains and portières of like material, the beautifully medallioned and painted ceilings, the pink-marble fireplaces and faintly gilded cornices, down to the very carpets, lounges, and chairs, birds and flowers were repeated in every imaginable hue and tint. Carved, embroidered, painted, and chiseled, the feathered tribes hovered between garlands of bloom as admirably preserved as if the hands of the artists had but just put the finishing touches to their gracious task. The inspirer of it all had died on the guillotine in 1794, but her pastel portrait hanging in the boudoir smiled the imperishable smile of an all-conquering loveliness and charm.