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These pastorals, together with the chivalresque romances, had probably been the entertainment of Cervantes's youth. It was probably another and much later essay of the same kind which induced him to try his luck in the pastoral vein: the Pastor de Fílida, published at Madrid in 1582 by his friend Luis Gálvez de Montalvo, who is said (on doubtful authority, as we shall see presently) to have introduced Cervantes in his text as the shepherd Tirsi—de clarísimo ingenio. Whether this be so, or not, Cervantes, in his usual kindly, indulgent way, places his friend's work on Don Quixote's shelves, and treats it with gracious deference:—"No Pastor that, but a highly polished courtier; let it be preserved as a precious jewel." The book has but trifling interest for us nowadays; yet we may be sure that Cervantes's admiration was whole-hearted, and the fact that the volume passed through several editionsssss1 vindicates him from any suspicion of excessive partiality. It was his fine habit to praise generously. Neither his temperament nor his training was critical, and he attached even more than its due importance to the verdict of the public. He frankly rejoiced in Gálvez de Montalvo's success, and it is not unreasonable to conjecture that this success helped to hasten the appearance of the Galatea.

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