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Holy Church in mediæval times took advantage of the popular craving for theatrical shows, and sought by the aid of “mystery plays,” and “moralities” to extend the knowledge of religious truths. It may be conjectured that the Egyptian hierarchy similarly had some such end in view, and that the priestly caste sought to utilise the popular taste for dancing as a means of influence, and that the actual performance of the dance served to fix more lastingly in the minds of novices the religious and astronomical truths it embodied.

An Egyptian Male Dancer

(From a Theban Fresco).

Egyptian Dancing Girls

(From a mural painting in the British Museum).

A Greek Funeral Dance

(From a coloured plaque in the Louvre).

In addition to the star-dance, the Egyptians are said to have had a “funeral” dance, but it is doubtful if this, the “Maneros”—of which Herodotus speaks—was a solemn dance. The fact is, however, that information both as to the religious and ceremonial uses of dancing among the Egyptians is very scant, and what little record we have of their dancing is mainly on its popular side and is to be gleaned from monuments.