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Towards the north, the Mausoleum of Augustus, towering proudly up into the brilliant sky, at once attracts the attention. From its position, parts of this noble building are already in shade. Not a human being is visible on any part of its mighty galleries—it stands solitary and sublime, an impressive embodiment of the emotions which it was raised to represent.

On the side opposite the palace and the baths is the turf walk already mentioned. Trees, thickly planted and interlaced by vines, cast a luxurious shade over this spot. In their interstices, viewed from a distance, appear glimpses of gay dresses, groups of figures in repose, stands loaded with fruit and flowers, and innumerable white marble statues of fauns and wood-nymphs. From this delicious retreat the rippling of fountains is to be heard, occasionally interrupted by the rustling of leaves, or the plaintive cadences of the Roman flute.

Southward two pagan temples stand in lonely grandeur among a host of monuments and trophies. The symmetry of their first construction still remains unimpaired, their white marble pillars shine in the sunlight brightly as of old, yet they now present to the eye an aspect of strange desolation, of unnatural mysterious gloom. Although the laws forbid the worship for which they were built, the hand of reform has as yet not ventured to doom them to ruin or adapt them to Christian purposes. None venture to tread their once-crowded colonnades. No priest appears to give the oracles from their doors; no sacrifices reek upon their naked altars. Under their roofs, visited only by the light that steals through their narrow entrances, stand unnoticed, unworshipped, unmoved, the mighty idols of old Rome. Human emotion, which made them Omnipotence once, has left them but stone now. The ‘Star in the East’ has already dimmed the fearful halo which the devotion of bloodshed once wreathed round their forms. Forsaken and alone, they stand but as the gloomy monuments of the greatest delusion ever organised by the ingenuity of man.