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The village is agog with people congregating to witness the fantasied event. In the main street natives and strangers mingle their feet gregariously. There are spasmodic sounds of laughter, retort, argument and ribaldry; and continually the shrill cries of youth in a frenzy of expectation. Buggies, two-wheelers, open carts and spring wagons line both sides of the street. The horses are blanketed. A damp, chill wind is blowing. Vendors from Chicago, lewd-looking men, working a hundred feet apart, are yelling: “Git a Christ army button here fer a nickel!” There is a composite smell of ham sandwiches, peanuts, oranges and cigars.

A shout rises at the far end of the street. The crowd that has been so thick there, filling the whole space, bursts open. A band begins playing “Onward Christian Soldiers,” and the spectacle is present.

First comes a negro bearing the American flag.

Next, on a white horse, is a thick, close-bearded, self-regarding man with powerful, darting eyes and an air of fantastic vanity. He wears a buckskin coat with fringed sleeves; the breast is covered with gaudy medals. On his head is a large white sombrero. Around his neck swings a string of amber beads. He is cheered and rallied as he passes and bows continually.