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At the end of this strange procession are two wagons. One is called the commissariat wagon; it is loaded with a circus tent, some bales of hay for the horses and a few bags of provisions—hardly enough for one day. The other is a covered wagon painted blue. The sides are decorated with geometrical figures of incomprehensible meaning. This vehicle of mystery belongs to the precious being on the white horse ahead. He created it; inside are sliding panoramas which he has painted.

As these wagons pass, people on foot and in buggies and wagons to the number of more than a thousand fall into line and follow. Their curiosity is not yet sated. They cannot abandon the spectacle.

Among these followers are forty-three correspondents, representing newspapers from New York to San Francisco; four Western Union telegraph operators, and two linemen. The route to Jerusalem is uncertain. Something may happen on the open road, miles from a telegraph office. Hence the linemen, anywhere to climb a pole and tap the wires, and special operators to dispatch the news emergently! The reporters are to whoop the story up and be in on the crucifixion.

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