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The author and designer was an Italian, by name Baltasarini, famous as a violinist. He was introduced by the Duc de Brissac to the notice of Catherine de Medici, who appointed him a valet de chambre, and subsequently he became official organiser of the Court fêtes, ballets and concerts, assuming the name of Baltasar de Beaujoyeux.

Stage Effect in the 16th Century

(A Scene from the “Ballet Comique de la Royne,” by Baltasar de Beaujoyeux, 1581).

The account of the ballet was sumptuously published. The title-page read as follows:

BALET COMIQUE

De la Royne, faict

aux nopces de mon

sieur le Duc de Ioyeuse &

madamoyselle de Vau

demont sa sœur.

par

Baltasar de Beavioyevlx

valet de chambre du

Roy et de la Royne sa mère.

à Paris

par

Adrian le Roy, Robert Ballard, et Mamert Patisson

Imprimeurs du Roy.

MDLXXXII

Avec Privilege.

After a courtly dedication “Au Roy de France, et de Pologne,” full of praise for his prowess in arms and his taste in art, full of graceful compliment by classic implications, he follows with an address: